Pinned to the wall is a person, drawn by a child.
She has a woman’s body with soft crayon edges.
In the picture, the sun is an oval, as if someone
has thrown a Mirabelle plum into the air
and it is about to hit her. Whoever’s room this is
must be out of the house, and does not know
I am here. He told me we’d be making pancakes
and I believed him. He talked of his parents,
I thought I would meet them. But the bedrooms
are empty and he shows me them one by one.
There isn’t time to take off my glasses. I can see
the textured ceiling, like painted popcorn kernels,
and the particles of dust - tiny fibres, carpet lint,
our hair and skin floating like petals and burnt
meteorites. And I can see the end of my nose.
I wonder what would happen if I breathed
in all of it: soil and plant pollen, lead, arsenic.
I imagine it churning in my brain and stomach.
It’s on the train home that I see the blood. I smile
because that means it worked. Like packaged eggs,
cream-coloured, deep brown, pink and speckled,
we’ve learnt that we are better broken. It will hurt
for a few days he said, and in the toilet I clean
beneath my legs, delighted to have been chosen.
Published by The Poetry Business as part of Abbie's poetry pamphlet 'Threadbare' in June 2020. To find out more or to buy the book, see here.
First published in 2019 in The North Magazine, issue 62: The Alive and Kicking issue.